Published by: Martovski festival and Yugoslav Film Archives, under Patronage of The City of Belgrade
Editor-in-Chief, film selection: Rastko Ćirić
The third part of the Serbian animated film anthology covers the period from 1979 to 1984. The leader in the production of animation was Dunav Film from Belgrade. Neoplanta Film from Novi Sad has produced its last films, before shut-down in 1985. While the previous disc featured mostly the work of Borislav Šajtinac, this one presents the complete auteur work in Serbia by Dušan Petričić. Nikola Majdak (Senior) continues with his apocalyptic vision of reality, Veljko Bikić moves to a more commercial direction, Vera Vlajić returns to her personal subjects, Zoran Jovanović successfully gives life to his drawings, Stevica Živkov reaches his full creative maturity. Generally, Serbian production has a large variety of styles and subjects. The pessimism and optimism are equally present.

RASTKO ĆIRIĆ (1955, Belgrade) Professor of Illustration and Animation at the Faculty of Applied Arts in Belgrade. Founder of the Animation department and the FAA Animation Studio (2006). Vice-Chancellor of the University of Arts in Belgrade, where is the head of the Digital Arts Interdisciplinary DA Program. Performed 46 solo exhibitions. Auteur of 16 animated films.
THE SPEAKER / Dunav film / Branko Ranitović, Zlatko Grgić / 1’50”, 1979.
The Speaker needs to be firm, but not too much.
THE FAVORITE / Dunav film / Dušan Petričić / 1’30”, 1980.
A small parabola on success.
EPPUR SI MUOVE / Neoplanta film & Dunav film / Zoran Jovanović / 7’40”, 1980.
Satirical view on the suffering of the mankind.
HIS MAJESTY / Dunav film / Veljko Bikić / 1’35”, 1980.
There is a king higher than the king.
THE LAST SUN RAY/ Neoplanta film & Avala pro-film / Nikola Majdak / 4’33, 1980.
A man climbs the building to catch the sun ray. A surprise waits for him at the top.
THE BLUE RABBIT / Dunav film / Dušan Petričić / 5’05”, 1981.
A boy in search of the blue rabbit, one of a kind. Based on the popular poem by Duško Radović.
CODE L’AMOUR / Dunav film / Bogdan Jovanović / 1’20”, 1981.
A rendezvous with a twist.
THE TRIP / Dunav film / Dušan Petričić / 1’45”, 1981.
A parable about loneliness at a young age and hitchhiking into self.
LOVE AT FIRST SIGHT / Dunav film / Nikola Majdak / 1’35”, 1982.
Rista the Worm falls in love.
STATION / Dunav film / Veljko Bikić / 6’50”, 1982.
A man in a desert is waiting for a bus.
LIFE IN PINK / Dunav film / Nikola Rudić, Rade Ivanović / 4’25”, 1982.
Life isn’t so pink, after all.
THE RUNT / Dunav film / Stevica Živkov / 2’55”, 1983.
Parabola on parental sacrifice.
SUNDAY PANTOMIME / Neoplanta film / Vera Vlajić / 7’20”, 1983.
Metaphor on man-women relationships.
THE FINAL TV SHOW / Dunav film / Nikola Majdak / 5’10”, 1983.
Apocalyptic news about the end of the world.
ROMEO AND JULIETTE performed by the Monsters and Co. / Dunav film / Dušan Petričić / 10’35”, 1984.
The auteur apologizes to Shakespeare for being inaccurate.
Published by: Martovski festival and Yugoslav Film Archives, under Patronage of The City of Belgrade
Editor-in-Chief, film selection: Rastko Ćirić
The third part of the Serbian animated film anthology covers the period from 1979 to 1984. The leader in the production of animation was Dunav Film from Belgrade. Neoplanta Film from Novi Sad has produced its last films, before shut-down in 1985. While the previous disc featured mostly the work of Borislav Šajtinac, this one presents the complete auteur work in Serbia by Dušan Petričić. Nikola Majdak (Senior) continues with his apocalyptic vision of reality, Veljko Bikić moves to a more commercial direction, Vera Vlajić returns to her personal subjects, Zoran Jovanović successfully gives life to his drawings, Stevica Živkov reaches his full creative maturity. Generally, Serbian production has a large variety of styles and subjects. The pessimism and optimism are equally present.

RASTKO ĆIRIĆ (1955, Belgrade) Professor of Illustration and Animation at the Faculty of Applied Arts in Belgrade. Founder of the Animation department and the FAA Animation Studio (2006). Vice-Chancellor of the University of Arts in Belgrade, where is the head of the Digital Arts Interdisciplinary DA Program. Performed 46 solo exhibitions. Auteur of 16 animated films.
THE SPEAKER / Dunav film / Branko Ranitović, Zlatko Grgić / 1’50”, 1979.
The Speaker needs to be firm, but not too much.
THE FAVORITE / Dunav film / Dušan Petričić / 1’30”, 1980.
A small parabola on success.
EPPUR SI MUOVE / Neoplanta film & Dunav film / Zoran Jovanović / 7’40”, 1980.
Satirical view on the suffering of the mankind.
HIS MAJESTY / Dunav film / Veljko Bikić / 1’35”, 1980.
There is a king higher than the king.
THE LAST SUN RAY/ Neoplanta film & Avala pro-film / Nikola Majdak / 4’33, 1980.
A man climbs the building to catch the sun ray. A surprise waits for him at the top.
THE BLUE RABBIT / Dunav film / Dušan Petričić / 5’05”, 1981.
A boy in search of the blue rabbit, one of a kind. Based on the popular poem by Duško Radović.
CODE L’AMOUR / Dunav film / Bogdan Jovanović / 1’20”, 1981.
A rendezvous with a twist.
THE TRIP / Dunav film / Dušan Petričić / 1’45”, 1981.
A parable about loneliness at a young age and hitchhiking into self.
LOVE AT FIRST SIGHT / Dunav film / Nikola Majdak / 1’35”, 1982.
Rista the Worm falls in love.
STATION / Dunav film / Veljko Bikić / 6’50”, 1982.
A man in a desert is waiting for a bus.
LIFE IN PINK / Dunav film / Nikola Rudić, Rade Ivanović / 4’25”, 1982.
Life isn’t so pink, after all.
THE RUNT / Dunav film / Stevica Živkov / 2’55”, 1983.
Parabola on parental sacrifice.
SUNDAY PANTOMIME / Neoplanta film / Vera Vlajić / 7’20”, 1983.
Metaphor on man-women relationships.
THE FINAL TV SHOW / Dunav film / Nikola Majdak / 5’10”, 1983.
Apocalyptic news about the end of the world.
ROMEO AND JULIETTE performed by the Monsters and Co. / Dunav film / Dušan Petričić / 10’35”, 1984.
The auteur apologizes to Shakespeare for being inaccurate.

Srpski


























